Monday, 13 August 2018

aston villa 3 - 2 wigan


Dear Sheddists,

at various points during the summer there were understandable doubts as to Villa's survival. A cash-flow crisis, the threat of administration and the potential exit of all our star players saw the club face fire on multiple fronts.

Fast forward a month or two and we now have two new owners, financial stability and the core of last year's team still in place. Of particular note, the transfer window closed with Super-Jack Grealish still ensconced in claret and blue, the new owners having made it clear he was not for sale.

An adequate performance at Hull on the opening day of the Championship season saw us secure three points and so to our first home game. Newly promoted Wigan put on a fine show in their own opening fixture and emerged with a very credible victory against Sheffield Wednesday.  A decent challenge then for Villa.

We got off to an excellent start, capped by a marvelous free kick from new-boy, John McGinn, met with an equally effective header from James Chester.  One nil up and it looked like an easy afternoon ahead. It was not to be. Miles Jedinak, playing out of position in Villa's back-line, gifted a goal to Wigan courtesy of a hospital back-pass to new keeper, Orjan Nyland.  Nick Powell duly netted from Nyland's muffed clearance and the scores were level.

Worse still followed in the second half.  Callum Connolly headed home for Wigan leaving Villa reeling on the ropes.  But they dug in and in sharp contrast to last season refused to fold.  After a period of sustained attack the equaliser came from a defensive error, Chey Dunkley netting in his own goal from a tricky McGinn corner.  

And then, something almost unheard of in many a season, we bagged a last minute winner deep into injury time.  Birkir Bjarnason got on the end of a Conor Hourihane cross and cue celebrations from an ecstatic Steve Bruce!!

It certainly wasn't our finest performance and Villa will need to play much better if we are to secure promotion at the third time of asking. However, there are promising signs on which to reflect. John McGinn, our new recruit from Hibs, played his socks off and for many was man of the match.  He put on a skillful, feisty performance, never giving up on the ball and distributing telling passes with ease.  Definitely one to watch. Jack Grealish was class and James Chester as unflappable as ever in defence.

With six points on the board after just two games (we took six to reach the same tally last year) there's a good foundation on which to build. A busy week lies ahead with two away fixtures - the first, mid-week against Yeovil in the League Cup and the second against Ipswich on Saturday.

Up the Villa!

yours as ever,

electrofried(mr)








































fields of colour

My final destination at this year's Festival of Quilts is the Nancy Crow exhibition.  It's housed in a dramatic long gallery at the end of Hall 8 in the NEC.

Enormous panels of monochrome printed textile line the walls  Some burn with vibrant colour; others are muted and contemplative. 

Nancy is a hugely gifted textile artist based in her native Ohio. It is easy to see how the environment around her shapes her creativity. She lives on a 104 acre farm and viewed from the far end of the gallery the display takes on the appearance of a huge swaying field of psychedelic corn!





















Sunday, 12 August 2018

criminal quilts

The exhibition I loved most at this year's Festival of Quilts was by Ruth Singer, a renowned fine artist who works in textile and mixed media.

Her 'Criminal Quilts' project is based on photographs of female prisoners languishing in a Staffordshire jail, often for the most petty of offences.  They had been instructed to hold their hands in front of them for identification purposes.

It's hard to comprehend the brutal dehumanisation suffered by these women, many of whom came from a poor or disadvantaged background. The genius of the project lies in the beautiful way Ruth has succeeded in restoring their dignity and integrity.  Their photographs, printed onto textile, are embroidered with delicate hands.

Two pieces are especially stunning. The first comprises a large print of an elderly prisoner wearing a hat. In front hang four translucent squares of fabric onto which a series of hands have been embroidered. These are hung in a slight draught which gently wafts the fabric from side to side, creating something akin to a Tibetan prayer wheel as the hands pass to and fro in a mesmerising swirl.

The second piece hangs on the opposite wall.  It's a plain white sheet onto which various female names have been embroidered in what at first sight appears to be a series of random lines. Further examination reveals each name has been sewn at the recorded height of the prisoner in question.

The exhibition will be showing later in the year at Burton on Trent and Wolverhampton University. I thoroughly recommend a visit - it's absolutely stunning.