Dear Sheddists,
you see me here portrayed below in all the glory of my 'birthday suit'! It was a wonderful present from my dear wife to celebrate my 60th birthday.
My friends at the Monday night Photo Social Group I attend kindly humoured my woeful attempts at modelling. Despite the poor subject matter I think they've done rather well, don't you think!
Best regards,
electrofried(mr)
stop
Dear Sheddists,
here's the second of my 365 photos project.
I wanted to create an ambiguous scene, something capable of asking questions of the viewer, such as ...
Has the man parked the car or crashed?
Where has he come from and where is he going?
Is this the scene of a crime?
I used a combination of artificial lighting for the shot - the internal lights of the car, its headlights and a security light at the front of the house. The camera was mounted on a tripod with a long exposure and a timing setting.
In some ways it reminds me a little of the work of Weegee an American press photographer of the 1930s and 1940s who specialised in scenes of urban life, crime, injury and death.
Again, to illustrate the creative process I'm also showing some other shots I took on the night using motion blur to create a more ghost-like feeling.
Yours as ever,
electrofried(mr)
masked
Dear Sheddists,
I'm delighted to say my photography class has started up again. This time there's a much larger group but it still retains the friendly, sharing atmosphere that made last term such a joy.
We met for the first time yesterday evening and talked about getting motivated to take photos. Our superb course tutor, Kate Green, suggested nine top tips...
1. Always have a camera with us.
2. Maintain and heighten our sense of awareness.
3. Make the normal extraordinary.
4. There's no time like the present!
5. Keep an 'ideas log'.
6. Train our eyes to see the light.
7. Experiment and venture outside our comfort zone.
8. Stay on top of our processing and editing.
9. Annotate our pictures and capture the creative thinking and feelings behind them.
A number of us signed up for a 365 photos project, one a day for the next year. I've decided to call mine, 'Dreams and Nightmares'. It's something I've been thinking about for a little time now. I can't promise the photos will always be pretty, but I do hope they will be thought-provoking.
I know I can take reasonably competent portrait and reportage photographs. Family and friends, music gigs. church and the Villa are all favourite topics. However, I was challenged at the end of last term when Kate showed us some work by the American photographer, Gregory Crewdson. Rather than finding things to photograph Crewdson creates fantastical photographic tableaux in the manner of a movie producer. It's well worth clicking on the link above to learn a little about the creative processes that lie behind his works.
I don't possess the skill, the imagination or the budget to create and shoot such scenes but I have been thinking about how I could do something similar on a much smaller scale. I'm particularly drawn to photographs of an ambiguous nature, open to different and potentially conflicting interpretations.
The photograph above is the first in my 'Dreams and Nightmares' project. It's a simple shot combining a blue shirt and a mask I acquired whilst attending 'The Drowned Man' an immersive theatre production by the Punchdrunk company.
So by way of explanation, here are the techie bits first. I shot the photo using ambient light from a bedroom window. In order to make the picture more atmospheric I used a wide aperture and under-exposed the photo by -1.7.
Now for the creative process and the feeling I wanted to create. The shirt and the mask symbolise the face we put on when we get dressed. We use clothes to create an image, be it a business suit, a party dress or a simple pair of jeans coupled with a well-worn t-shirt.
In the photograph above the shirt and the mask appear to morph into a face. It's a psychological phenomenon known as pareidolia, in which we project images onto something we see by perceiving a familiar pattern where none exists. A good example is the regular sighting of the face of Jesus in a rich and highly diverse variety of foodstuffs! In my shot of the day the edge of the mask and the collar of the shirt combine to produce what looks to be the jaws of a face staring out of the gloom.
Just for good measure, I've included two earlier shots I took on the way to creating the final piece.
Yours as ever,
electrofried(mr)
